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Printed Page Works 1997 `Art Journal´, published by College Art Association Inc., New York, U.S.A., Performance Art Issue, Vol. 56, No. 4. Artists' pp 4, 5, 26, 27, 34, 35, 48, 49, 84 and 85 `Mael 69/96´, Performance/Research, Vol. 2, No. 1, special issue: Letters from Europe, Spring 1997 1996 `Temper of the Times´ (text work) Performance Research Vol. 1 No. 1, Spring, p4 `Dole Lode´ (2 page artwork) Performance Research Vol. 1 No. 1, Spring, pp 96-97 Photo/Text Works in Ric Allsopp and Scott Delahunta (eds), The Connected Body? for Amsterdam Readings on the Arts and Arts Education, Amsterdam: Amsterdam School of the Arts, pp 11, 50, 51, 52, 53, 60, 65, 76, 83 `Mind a Gap´ (1988-96), in Map, London: The Institute of International Visual Arts, pp 2-29 Alastair MacLennan, Coming to Meet, (artist’s book), Dublin: Project Art Centre 1995 `Work With What Has Been Spoiled´, Art in Process Project for Circa, No. 74, Dec, pp 35-42 1992 ‘Alisdair McLinton/Alasdair McGlaughlin’, 2 page artwork, Circa, No. 62 1973 Work in Canadian Trajegoires '73 ARC Musee d´Art Moderne de la Ville de Paris, Paris, France 1970 Publication `70´ - work featured in Chicago publication devoted to conceptual art forms, Chicago, Illinois, USA c/o Sam Carter, Summer numbers 12345678910 video environment event, a space gallery, Toronto, Ontario, Canada Dust No. 17: 15 pages from `No-Knock´ - manuscript 8 pages from `To Stand´ document, Dust Magazine, Sacramento, California, USA |
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Bibliography 1999 Alastair MacLennan, `Actuation for Installation´, Inter Magazine, No. 74, Quebec, Canada, pp 18/19 (b/w photographs of artwork) Richard Cork, `We Love You, Yeah, Yeah, Yeah´, The Times, London Newspaper, p 42, 29th September (artwork discussed) Aidan Dunne, `Gondolas are Optional´, The Irish Times, Dublin Newspaper, p 12, 28th September (b/w photograph of artwork) Laura Cumming, `When you're tired of Liverpool´, The Observer Review, London Newspaper, p 12, 3rd October (artwork discussed) Penny Fray, `City at the Centre of the Art World´, Daily Post, Liverpool Newspaper, p 21, 24th September (b/w photograph and artwork discussed) Ian Hill, `A Seat at the Table for Victims of the Troubles´, Newsletter, Belfast Newspaper, p 27, 11th October (artwork discussed) Aidan Dunne, `Nothing We Like More Than a Good Shock´, The Irish Times, Dublin Newspaper, p 12, 10th November (artwork cited) 1998 Dr Sverakova, `Radical Therapies, Contemporary Performance Art in Ireland´, in Art Supplement to Fortnight Magazine 375, Northern Ireland, p 7, p 8 (first paragraph) and b/w photograph, p 9, last 10 lines (artwork discussed) Celia Lyttleton, `Biennale Fever´, Daily Telegraph (Magazine), London Newspaper, pp 10/11, 6th November (colour photograph and work cited) Richard Martel `L'Art en Actes´, Le Lieu, Centre en Art Actuel, 1982-1997 Les Editions Intervention, Quebec, Canada, Artist's Citation pp 69/70, 100, 130/131, 173, 174, 176, 178, 190, 193, 194, 281, 299 RoseLee Goldberg, `Performance - Live Art since the 60's´, Thames & Hudson, London, England, Artist's Citation, pp 23, 52 (plus 2 colour photographs) and p222 The International Exhibition Part I, Venice Biennale 1997, Audio Arts Magazine, vol. 17, Nos. 1&2, (Tape 2, side 3 - Alastair MacLennan) Andrea Phillips edited `Out of Time´, book/Hull Time-based Arts, 1984-1998, published by Hull Time-based Arts, Hull, England, pp 14&15 (work discussed) Jim McDowell, `Saying Yes to a Future of Peace and Stability´, Sunday World, Northern Ireland Newspaper, p8, 24 May (artwork discussed) Lindy McDowell, `The Bridge of Sighs´, Belfast Telegraph, Northern Ireland Newspaper, p5, 23 May (artwork discussed) Citations in `Occupational Hazard. Critical Writing on Recent British Art´, Black Dog Publishing, England. Citation 1 - Naomi Siderfin, `Occupational Hazard´ essay, p34: Citation 2 - Malcolm Dickson, `Another Year of Alienation´ essay, p90: Citation 3 - Julian Stallabrass, `A Place of Pleasure´ essay, p180 (photograph), pp 181, 182, 185, 192 & 193 Shirley MacWilliam, `The Sound of Bells and Bellies : Acoustic Authority and Sound Effects´, article in Circa Art Magazine No. 85, Ireland, p26, para 2, 4 photographs (work discussed) Laura Gannon, `Infusion´, article in the Sculptors Society of Ireland Newsletter, Sept/Oct '98. The performance `Dearth´ discussed, p30 `The Live Medium, Performance Art: A Marginalised Medium´, the Artist's Statement in Journal of Representative body for Professional Art in Ireland ISSN 0790-5858, p7, Art Bulletin, No. 81, vol. 15 June/July `Duncan of Jordanstone - The Legacy´, Artist's citation in Artifax, issue No. 6 Summer '98, bottom of page 8, published by Dundee Media Publishing Limited, Scotland `Cross Currents in Culture´, Variant Magazine, vol. 2, No. 6, Autumn 1998 Citation of work, by Simon Herbert in `Performance´ article, first para, lines 4 and 5 1997 Marian Lovett, `Changing Places in Dublin´, article in Artists Newsletter, England, Nov, pp 6-7 Michael Wilson, `The Gallery at Home´, article in Artists Newsletter, England, Dec 1997, pp 11-12 Jeni Walwin, `Low Tide´, Black Dog Publishing, England, under the article Disorders, pp 54-55 `Alastair MacLennan Thirty Two Drawings and a Text´, Book of 32 drawings, published through David Brett of Black Square Books, Belfast, Northern Ireland Adrian Heathfield edited `Shuttered Anemonies´, 15 page Photographic Art Work in the `Shattered Anatomies´ Performance Art Publication, published by Arnolfini Live ISBN-O 907738540, Bristol, England Gemma Tipton, `Opium of the Masses?´, article in Circa Art Magazine, Ireland, No. 82 , p32 Luke Clancy, two citations in `Installation/Multi-Media´ in `The Turn of the Year´, Irish Times, Arts p11 17 December `Alastair MacLennan´, Review of Drawing Exhibition at the Ormeau Baths Gallery, Belfast, 6-20 Dec; in the Sunday Times England, Culture Ireland, p18, 21 Dec, written by Gavin Murphy Review of `Pael´, Actuation (Performance/Installation) for the Performance Art Festival, Odense, Denmark in Berlingske Tidende, article by Af Mai Misfeldt, Odense, Denmark, 7 Nov `Exit´, New Art in Poland, Quarterly No. 4(32) 1997 in article `The Energetic Clock´ by Lukasz Guzek, p1581 - full black/white photograph and p1582, lines 5-8 Tanya Kiang, `47th Venice Biennale´, Circa Art Magazine, No. 81, p57 Tanya Kiang, Editorial, Circa Art Magazine, No. 80, p4 `Axe X is´, Meridian Crossings, Plasy, Czech Republic, Centre for Metamedia, Unpaginated Aisling Prior, `Review of the Venice Biennale´, S.S.I. Newsletter, Sept-Oct, pp 28-29 Sarah Kent, `Art Tale of Two Cities´, Time Out, No. 1404, 16-23 July, pp 14-16 Jean-Damien Fleury, `Provocation´, La Liberté, 2 July Aidan Dunne, `Rotting Meat and Heaps of Earth´, The Tribune Magazine, 22 June, p34 Medb Ruane, `Important Notes in the Margin´, The Sunday Times, Section II, 22 June, pp 14-15 Francesca Pasini, `Biennale´, Il Secolo XIX, 20 June, p12 Brian Fallon, `Venice Observed´, The Irish Times, Thursday 19 June Richard Cork, `Death Still Fashionable in Venice´, The Times, Tuesday 17 June, p19 `Eye to Eye´ Interview by Mark Dawes, Artists' Newsletter, June, p13 Mark Dawes, `Trusting Inter-relations´, Circa Art Magazine, No. 80, June, pp 22-27 Mark Orange, `Compass´, Artists' Newsletter, April, p15 Aidan Dunne, ‘Critics Choice: Alastair MacLennan, Project Art Centre´, The Sunday Tribune Magazine, 12 Jan, p34 Luke Clancy, `Remembrance of a Gruesome Past - Alastair MacLennan, Project Art Centre´, Irish Times, 4 Jan `Alastair MacLennan interviewed´, interview by Roddy Hunter, Transcript, Vol. 3, issue 1 Sean Taylor, `Infusion 97´, Art Bulletin: Journal of the Representative Body for Professional Artists in Ireland, Vol. 14, No. 75, p32 1996 Kevin Henderson, `Fix 96´, Circa Art Magazine, No. 77 pp 56/57 Lorraine Whelan, `A Day at EV+A in Limerick´, Art Bulletin , Vol. 13, June/July, pp 32/33. Martina Pachanova, `Tela, Hlasy, Media v Libni´, Literarni Novinu, No. 15 Mark Johnston (ed), Crossing Boundaries: Belfast, San Francisco State University Art Gallery Liam Kelly, Thinking Long: Contemporary Art in the North of Ireland Kinsale, Gandon Editions, pp120, 133-135 Geraldine Pilgrim, ‘National Review of Live Art, Glasgow’, Live Art Magazine, No. 13, Dec 96-Feb 97, p26 1995 Luke Clancy, `Mean Wean´, Irish Times, 18 Feb Mark Ewar, `Wain Vane´, Irish Times, 3 Mar Marcus Moser: `Black Market International´, Berner Wocher, 9 June, p2 `Body Dimension: International Performance Presentation´, Monthly Magazine of the Art World, Korea, No. 11, Nov, p74 1994 Vivien Burnside, `LÆT LÆN PÆON PÆAN´, Circa, No. 67, p47 Marcus Moser, `Raw War, Berner Galerie’, Berner Woche (29 April - 5 May), p8 Marcus Moser,`Klimata Project’, Der Bund, 14 May, p7 Michael Kreathlow, `Raw War´, Berner Zeitung, (Kultur Section), 11 May ‘Black Market International Performance’, Volt, May Gavin Weston, ‘Review´, Sunday Times, 3 July, p52 ‘Preview’, Live Art Magazine, No. 2, July/Sept, p7 ‘Preview’, Live Art Magazine, No. 3, September/November, p9 Philip Mussen, `Hit and Run´, Sculptors' Society of Ireland Newsletter, August/September, p8 Tukasz Guzek, ‘Alastair MacLennan’, Tumult No. 11, pp 53-56 Declan McGonagle, ‘Alastair MacLennan Interviewed’ (Polish translation), Tumult No. 11, pp 30-36 Zbigniew, Warpechowski, ‘Black Market International’, Tumult No. 11, pp 11-14 Brian Kennedy, `Hit and Run´, Circa, No. 69, Autumn, p64 `Irish Days II´, Circa Art Magazine, Issue No. 70, pp 53-57 The Artists of the Gallery, Sandomierz: Contemporary Arts Gallery Simon Herbert, `Bread and Circuses´, Art and Design special issue: Performance Art in the 80's, No. 38 pp 7-9, 30-31 Tim Etchells `Mind the Gaps´, Versus No. 3, pp 42/43 1993 Slavka Sverakova, Available Resources, Londonderry: Orchard Art Gallery New Observations, No. 95, May-June `Interzone´, Inter No. 55/56, pp 23, 25, 43 Slavka Sverakova, Art and Nationality, Inside, Outside, Manchester: Cornerhouse Gallery, pp 17, 18, 19, 20, 24, 25 Cordelia Oliver, `A History of the Third Eye Centre´, Variant, No. 15, pp18/19 Gavin Murphy, ‘Review: Black U Jack Tri No Colour´, Circa pp 56/57 Citation in Fundacio "La Caixa" 1992 Year Book, Turin and London: Societa Editrice Umberto Allemandie, pp 44, 118, 133 Siraj Izhar, ‘Review of Woodwork’, Hybrid No. 4, p36 `Woodwork´, Hybrid No. 4, p13 Brian McAvera, `Irish Days on the Pomeranian Coast´, Hybrid No. 4, p38 Andrea Phillips, `Room for Risk´, Artists Newsletter (November), p33 Helen Cadwallader, ‘Review: SIC: Hull Time Based Arts’, Hybrid No. 6, p49 Stephanie Vidall-Hall,`Rites of Conviction, Now Festival, Nottingham’, Hybrid No. 6, p52 1992 Paul Little, ‘Available Resources’, Circa No. 61 Jan/Feb, pp28/29 Janet Koplos, `Black Market International's Performance at the Anchorage´, Art in America, Jan, p120 Slavka Sverakova, `Available Resources´, Inter, No. 53, Summer, pp 42-44 Roland Miller, `The Curtain Rises II´, Variant, No. 12, Summer/Fall p19 Rob Le Frenais, `Empedokles´, Hybrid, pilot issue Norbert Klassen, Performance Art Netzwerk, Benteli pp 178-181 1991 Yvan Pageau, Premiere Biennale D'Art Actuel De Quebec, Quebec pp 33/34 Euan Sutherland, ‘Live Work Weekend’, Variant No. 9 (Autumn) p46 Hilary Robinson, ‘Available Resources’, Alba Vol. l No. 5 Oct/Nov, p23 Slavka Sverakova, `Not Surrendering the Pink´ Writing Ulster Nos. 2 and 3, p41 and pp 49-51 Richard Layzell, `Beginnings in Britain´, Live Art, Sunderland: Artists Newsletter, p27 Simon Herbert, `Documentation´, Live Art, Sunderland: Artists Newsletter, pp 107/108 N Reilly, ‘Review’, Performance No. 63, pp 20-22 Hilary Robinson, `Artists of a Diaspora: Alastair MacLennan´, Alba, (April) pp 20/21 The List No. 144, p15, March/April Performance Now, Summer, pp 16/17 Front cover colour photograph Credo, April G Durand, Credo April p39 1990 Arts Council Collection - Acquisitions 1984-88, London: The Arts Council of Great Britain ‘Interview’, Circa No. 50, Mar/April Richard Martel, Inter Magazine No. 45, June David Brett, Circa No. 52, p32, July Miranda Tufnell and Chris Crickmay, Body Space Image, London: Virago Press, pp 168/169 1989 Gray Watson, `Performance Art’s Untapped Potential´, Art International (Summer) 1988 Stephen Snoddy (ed): Is No Bristol: Arnolfini Gallery, England ‘Interview’, Variant no 4 (Spring) `Review: Collaboration´, Circa No. 39 Steven Durland, ‘Live at the Project’, High Performance No. 44 Steven Durland, ‘Edge 88’, High Performance No. 44 1987 Interview and review, Discussion (Spring) Interviews and reviews, Performance, Issues Nos 47, 48, 49 and 50 1986 Interview on Polish TV re Irish/Polish art and artist exchange programme ‘Review’, Belfast Review no 14 (Summer) Review of `Sink a Death Stop´, Alba no 1 (Summer) 1985 ‘Performance Art Survey’, Performance No. 37 ‘Art Education in Art Colleges and Universities’, Circa No. 25 ‘Interview’, Aspects No. 30 Photo documentation in Panda's Over No. 6 ‘British Art Show’, Art Monthly No. 87 ‘Letter’, Performance No. 34 ‘British Art Show’, Performance No. 35 Photo Documentation in Artists' Newsletter (Sept.) 1984 Included in Dr Prof Franco Tralli, Critico - Financial Catalogue: Artists of the European Community 1984 Bologna: Seledizioni Featured in High Performance,(summer) Special Issuue: Performance Art in Britain and Ireland Interviewed and art featured on Ten Leading European Performance and Video Artists Video documentary 1983 Audio Tape `Royal Avenue´ included in Audio Arts presentation for the Hayward Annual Sculpture Exhibition, Hayward Gallery, London. Audio Arts tape also broadcast by BBC Radio 2, J Sydney, Riksradio Stockholm, VPRO Amsterdam, etc. Excerpt from `Royal Avenue´ Audio Arts contribution played on the John Peel BBC Radio 1 Show, 10 Aug Included in La Mamelle International Video Tape Library, La Mamelle Inc., San Francisco, California Photo documentation and text of Performance/Installation `Felt Crosses/False Teeth´, Los Angeles Contemporary Exhibitions Gallery, in High Performance No. 22, September ‘Interview’, Circa No. 13 1982 Work featured in Roderick Knowles, Contemporary Irish Art, Dublin: Wolfhound Press Performance excerpt featured on BBC TV `Not the Nine O'Clock News´ Slide Documentation of Performances included in International Artists Association Exhibition/ Conference in Helsinki, re ‘Art and Artists for a New World Order´. Video documentation from 24 hour non-stop `Fish´ Performance in International Video Festival, Rome 1973 Documentation of `To Stand´ in Breakthrough Fictioneers, New York: Something Else Press 1972 ‘Halifax-Vancouver Artist Exchange Review’ Arts Canada |